jeffshultz

Wednesday morning arrived the same way as Sunday, Monday and Tuesday - with an alarm on my phone going off. 

At 8am I attended the "Tips for Creating Articles (for publication)" clinic by Cinthia Priest, the editor of NMRA Magazine.  Normally here I'd have the title slide here, and a photo of Cinthia.... normally I'd also have remembered to put an SD-card in my camera.... and since I wasn't wearing the now broken sling, I didn't have the two spare cards that are usually stuffed in it either. Sigh. This morning was not getting off to a good start. 

The clinic, on the other hand, was excellent. While Cinthia is the editor of the NMRA magazine and would like to have people send articles to her, she acknowledged that what she was teaching was applicable to submissions for any magazine, even MRH (sitting in the front row gets you called out). And with one possible exception, she was right. She started with "Get writing!' and followed it up with the surprising, "Write badly!" - her point there was that we have proofreaders (there is a volunteer team of them) and copy editors to clean up your writing, Personally, I know all of our editors, copy editors and proofreaders, and I fit in there somewhere, would really like you to at least run your content through spell check and grammar check on the word processor of your choice. 

One of the next point was to write like you speak. There was a brief discussion of Active Voice and Passive Voice, with a very cute method of determining if something is in passive voice - if you can add "by zombies" to the end of a sentence and it makes sense, it's passive voice. To steal her example:

Active Voice: I ate the bacon.
Passive Voice: The bacon was eaten (by zombies). 

She also covered Passive-Aggressive voice, but I don't think that has much of a point here... I've seen to many people (okay, I'm guilty too) who know how to employ passive-aggressive quite well. 

It comes down to Passive Voice not being necessarily bad, but you need to have some of your article in Active Voice as contrast - all Passive Voice reads oddly. 

Most of the rest of the clinic was on photographs, including what sort of format and quality she needs. JPG's that are straight from the camera are fine, ones that have been edited 10 times with a reduction in quality each time are not. TIFF or RAW format are also fine - she likes that she has the ability to manipulate a raw photo. Historical photos get something of a pass, since people understand they were taken years ago and frequently cannot be recreated now. 

She had a lot of "don't do this" examples with recreations of photos that she had received over the years that had problems - like "product placement" where there is a large, labeled, and non-model railroad item in the photo (like the can of Mountain Dew in the cup/can holder... ), distractions in the background of photos, to include photo bombers, distractions in the foreground of of photos, like a bunch of shiny rail joiners reflecting at the camera in the midst of ballasted and weathered track. 

She also discussed the angle of photos - we have a tendency to take helicopter shots and need to take more ground level shots and other angles - particularly ground level shots that will draw in the reader.

For cover shots, she covered both the rule of thirds, which divides up your shot into a 9 by 9 grid, where your point of interest should be on at least one of the 4 spots created by the intersecting lines. You also need to look at the covers of the magazine you are hoping to submit to - other than MRH, most magazines want a portrait shot, so twist the camera sideways, and consider where the magazine's masthead and, for the print mags, where the address label goes - don't hide something important behind those. 

Cinthia covered 90-ish slides in under 60 minutes, resulting in an information packed but easy to understand clinic. The only disappointment for me was that she wasn't talking to a standing-room-only room - we all need more authors!

Surprise discovery of the day: Cinthia's "day job" is as a Pharmacist - she has her Doctorate of Pharmacology (Pharmacy?) at a large hospital in the Kansas City area. Children's Mercy, I believe she said. 

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Jeff Shultz - MRH Technical Assistant
DCC Features Matrix/My blog index
Modeling a fictional GWI shortline combining three separate areas into one freelance-ish railroad.

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cdguenther

Cynthia`s clinic

I sat through it in Orlando two years ago. I thought it was excellent, but I haven't had anything worth writing about since then. Maybe someday...

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jeffshultz

A no wiring solution using fiber optic lighting

This one was a bit embarrassing. Not because there was anything wrong with the presentation, but because I was completely oblivious to the presence of a new manufacturer of a unique solution to adding lights to a layout - especially since Mark Juett apparently wrote an article on it in the May 2019 NMRA Magazine. I can only imagine that I was simply too enraptured by the coverage by the coverage of Rob Spangler's Western Pacific 8th Sub too have noticed it. Speaking of Rob, did anyone notice his railroad managed to get on several covers in the past few months? It's amazing the writers, photographers and videographers weren't all tripping over each other in his layout room.... 

Ladies and Gentlemen, I present Dwarvin Enterprises - 

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Caption: display stand

Dwarvin produces a box called the Lamplighter 1 (the Lamplighter 2 was announced during the clinic) which allows the modeler to stuff a number of fiber optic fibers (generally up to 1.5mm in diameter) into it. It also contains an automotive headlight style LED with a lens that directs the light down the fibers to wherever the other end of the fiber is. 

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Caption: Michael Groves

When I asked how far the Lamplighter would push light down a fiber, he said to come by the booth at the National Train Show, where they had a 30ft fiber hooked up to a Lamplighter and it was still too bright to look at from the other end. 

The whole idea for this product came from Michael not wanting to install grain of wheat bulbs, with all their associated magnet wires, knowing that they were eventually going to die, to be replaced with difficulty. LED's largely solved the dying problem, but you have to get the polarity correct and make sure that you don't exceed their current rating. And there is still a "mess of wires" to deal with. Michael noted that Woodland Scenics has solved most of the problems with using LEDs with their Just Plug(tm) system, but he also considered it to both be somewhat expensive and to have a great many different parts. 

He called up Woodland Scenics to find out how much he would have to purchase, and how much it would cost, for him to wire up his 6ft layout section -

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Caption: Woodland Scenics Just Plug(tm) system pieces and price. 

By comparison, the Lamplighter 1 system to cove has three light sources, fibers, and lamps -

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Caption: Prices and materials for the same 6ft layout section.
 

Dwarvin Enterprises had several new products to announce for this National Train Show -

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Caption: HO scale Globe Lamps, with attached fibers. 

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Caption: HO scale Carriage Lamps, with attached fibers.

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Caption: HO scale Highway Lamps

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Caption: HO scale Industrial Building Lamps.

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Caption: O scale swan neck lamps.

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Caption: New Lamplighter 2 LED light source. 

The Lamplighter 2 is not only more powerful than the Lamplighter 1, it has the ability to hold many more fibers than the Lamplighter 1 as well. 

With the Lamplighter 2, the cost to light the 6ft layout section decreases drastically -

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Caption: price comparison of Lamplighter 2 with Woodland Scenics.

The basic Lamplighter 2 kit - 

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Caption: price of Lamplighter 2 basic kit. 

After the announcements, Michael got into some of the techniques of working with the fiber itself -

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Caption: proper method of cutting fiber - both pictured use the correct shearing action

Fiber can also be cut with an Xacto knife. 
 

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Caption: minimum recommended bend radius for fibers. 
 

Also discussed was how to splice fibers together (usually involves an aluminum tube as a sleeve and some sort of glue - but not CA. You can "flare" a lens on the end of a fiber to either increase it's light gathering ability (on the source end) or it's light dispersion ability (on the building end).  Increasing or decreasing how much light comes through the fiber is adjustable by simply pulling it out or pushing it in further to the Lamplighter. 

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Caption: Small demo diorama 

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Caption: Large demo diorama

Ask at their NTS booth how you can get the current discount they are offering for the length of the NTS. 

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Jeff Shultz - MRH Technical Assistant
DCC Features Matrix/My blog index
Modeling a fictional GWI shortline combining three separate areas into one freelance-ish railroad.

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jeffshultz

Prototype Photos

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Caption: Cover Slide

I'm always up for a clinic that might help me become a better photographer, so I attended Kenneth Foster's Prototype Photography clinic. 

Ken has been a photographer for a long time (since his teens in the 60s) and has a huge supply of photos, on slides, paper, and digital. 

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Caption: Ken Foster

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Caption: Step by Step to better photos

The first thing a photographer needs to determine is why they are taking these photos? Are they for reference, are they artistic, or is there some other reason?

Not much time was spent on "Select your camera" with the note that Ken's wife takes incredible photos with just her cell phone - she has a gift for composition. It's not the equipment, it's the person using it. 

Location - I got the distinct impression that Ken doesn't exactly chase trains. For trains like the UP 844 or UP 4014, he uses the information they have published to determine where they will be, and when, and then he goes out and determines where he needs to be to get the shots that he wants. And then he marks the spot. 

Time of day focused on three particular times during the day that may be considered better for photography than others - The "golden hours" of after sunrise and before sunset, when the low angle of the sun changes the character of the light being cast on everything, and noon, when there will be fewer shadows due to the sun being as directly overhead as it will get. 

Composition goes with location a lot - finding places where you can get the photos with the angles on your subject you want and the background you want as well. 

"Get the Shot" - just what it says. Get those photographs. Electrons these days are cheap - and don't throw any photos into the trash. 

Download - take the photo off the camera and put it on a computer (if digital, if film, other methods apply), which is followed by Editing. Ken uses Photoshop, so do I - he seemed to agree when I described how using Camera Raw on photos that had been saved in the RAW format allowed me to save photos that would otherwise be lost due to poor lighting or other problems. 

File - save your photos in some way that you can find them again later!

Sell your photos - Ken is on the FineArtAmerica.com website, where he has photos that you can have put on various objects. He had a canvas tote bag with a photo of an 844 excursion on the front that he used as an example. 

All in all, an interesting (and certainly filled with fine photos) clinic.

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Jeff Shultz - MRH Technical Assistant
DCC Features Matrix/My blog index
Modeling a fictional GWI shortline combining three separate areas into one freelance-ish railroad.

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splitrock323

Thank you Jeff

These are all great clinics. Good to know what Cinthia and the NMRA magazine wants for type of photo. Now to get writing. 

Thomas W. Gasior MMR

Modeling northern Minnesota iron ore line in HO.

YouTube: Splitrock323      Facebook: The Splitrock Mining Company layout

Read my Blog

 

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jeffshultz

Making Twist-Trees

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Caption: Alex VanZanten

When I walked into this clinic, I thought it was going to be on using stranded wire to make tree armatures. I was wrong - it's about using small gauge wire and sisal (hemp) rope to make evergreens by spinning short lengths of the rope strands in the wires.

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A video is worth a few thousand words. At this point, Alex VanZanten has described all his tools and materials (see above), and starts twisting a tree by putting a bent piece of 20 gauge wire into a vise -

 
After repeating the step above several times, using longer strands of sisal each time, he pulls the tree out of the vise, clips off the top metal loop, trims off any stray looking strands, and then hits it with "Camouflage" spray paint, then Super 77 spray glue, and then dumps ground foam over it, shaking it through so that anything that doesn't get stuck to the glue will drop back into a bowl where it will be reused. Aquanet Extra-Hold (unscented) hair spray is used to lock the ground foam into place. The twisted end of the wire provides a good anchor to insert into the layout. 

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Caption: Alex holding up what were later determined to be 9" Safety Wire Twisting pliers from Harbor Freight, identified as "spin tool" on the tool and materials list above. 

Finishing early, Alex then proceeded to show us how he makes deciduous trees using Woodland Scenic's plastic tree armatures, polyfiber, paint, Super 77, and Noch "Leaf Flake" material. 

BTW - the Safety Wire Twisting Pliers (and Alex recommended the 9" version) are $12.57 at Harbor Freight's online store.... 

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Jeff Shultz - MRH Technical Assistant
DCC Features Matrix/My blog index
Modeling a fictional GWI shortline combining three separate areas into one freelance-ish railroad.

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jeffshultz

Painting Backdrops

Dr. Gil Bennett ran two clinics on Painting Backdrops back to back on Wednesday. I showed up for the second one and this is what I saw first - 

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Caption: People attending the first Backdrop Painting clinic

Looking into the clinic room itself showed this -

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Caption: a full house

Gil Bennett is ether just real popular, or many people want to learn how to paint their own backdrops. Or both. It could be both. 

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Caption: Gil Bennett

Gil Bennett has a Doctorate in Art, and it shows. He also has a quick sense of humor....


Gil explains all the cheap acrylic craft paint colors he has.  

Gil asked the audience for suggestions of what they'd like to see painted. The first clinic he'd received his first ever request for a runway (my father-in-law Larry, a former private pilot was responsible for that, I learned). Little did he know, that one of the audience for the second section was also a pilot.... and he also requested a runway. 

Me? I wanted foothills with the Cascades behind them. That morphed into the Blue Ridge mountains for awhile. Other requests were for a city, both evergreen and deciduous trees, a waterfall, a road, and yes... a runway. 

Here are a few of the progress photos I took - 

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Caption: in the beginning is the blank canvas. Or primed masonite in this case.

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Caption: Hills begin to take shape. He's keeping up a continuous stream of banter as he works too. 

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Caption: The City (it was supposed to be LA-like)

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Caption: Making some changes to the hills

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Caption: A chunk of masonite cut off the end of the sheet he's painting on provided a palette. Remarkably few colors went into this. 

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Caption: a runway... and a wheat field. The painting is in transition.

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Painting a Cascade Range mountain. He was trying for Shasta, people thought it looked like Rainier. 

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Caption: Wording on the waterfall and it's outflow.
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Caption: The finished painting. 

 

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Jeff Shultz - MRH Technical Assistant
DCC Features Matrix/My blog index
Modeling a fictional GWI shortline combining three separate areas into one freelance-ish railroad.

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Fast Tracks

Write badly....

"Anything worth doing, is worth doing poorly" - A fantastic quote given to me many years ago by a wise person. Simply put, it's better to do it at all than to not do it well. - (I wrote that badly on purpose)

Tim Warris

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blindog10

That does not apply to handlaid turnouts

I find it ironic Tim would post that.....

Scott Chatfield

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sunacres

Yes it does!

My first handlaid turnout wasn't very good, but each successive one was better than the last. It is so important to give yourself a break and just get going!

I just came out of the LDSIG "What Would You Do Differently" panel discussion at the convention and was astonished to see that nearly half of the audience raised their hand when asked who was working on or about to start their first layout. I suspect that a lot of folks have been armchair model railroaders for a long time because of a fear of making mistakes. 

Make mistakes! It's OK! 

Jeff Allen

Jeff Allen

My MRH Blog Index

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Ken Rice

Build a turnout poorly

Speaking from personal experience... a good way to really understand how all the relationships in a turnout are supposed to work is to build one poorly and then study everything that's wrong with it.

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NCR-Boomer

"Make mistakes! It's OK!"

You have NO idea how hard that phrase is to accept, given the life experience so far.  First born son, must be perfect, eldest of four, have to lead the rest, can't make mistakes.  So, what did I do when I graduated high school, and dreaded the thought of four more years of the same scholastic drudgery?  Enlisted in the USAF, and ended up in Strategic Air Command, where perfection wasn't the goal, it was barely acceptable.  Given the stakes (nuclear catastrophe), we "Sons of LeMay" had to do our level best 24/7/365.  24 years of that leaves a mark...

So, here I am, staring at a module surface, armed with a sifter, white glue, some brown paint and a couple bags of Woodland Scenic green foam, paralysed at the thought of screwing it up.  Seriously!  I managed to build the module itself, get track mounted and wired, but the thought of not getting the blend right, or whatever artistic faux pas can be done with $6 of ground foam, makes me walk away without dropping a single crumb.

Giving myself a break may be the hardest thing I ever accomplish in this hobby.  I'm not joking.

Tim B.

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Jackh

My favorite eraser tool

I use a scraper, same thing that is used to spread sheet rock compound. Come in all sorts of widths. I use a 2 inch or a 1 1/2 inch. Works really well at peeling ground foam off scenery base. Spray it down with water 1st. The thing to remember about really great looking model rrs is that they had a lot of erasing done on them before they reached perfection. And perfection is a really slippery standard in this hobby.

Jack

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